My digital works explore the simultaneous processes of construction and dissolution. They begin with photographs I have taken of still lifes or figures, which serve as the starting point for a gradual transformation.

Through successive digital interventions, I deconstruct the original image, dissolving its forms until only traces remain. Rather than representing the subject directly, I seek to preserve its memory—a shadow, a fragment, or a subtle presence that still evokes the figure or object from which it originated.

This process reflects my interest in the fragile boundary between appearance and disappearance, recognition and abstraction. By reducing forms to their essential traces, I invite the viewer to complete the image through perception and imagination. The resulting works exist between reality and abstraction, where remnants of the visible world are transformed into new visual possibilities.